Monday, January 26, 2009

Artistic Release: Monotypes Class

The past two weekends, I've (Val) been in a monotypes class at New Grounds Print Workshop & Gallery in Albuquerque with my brother, Brad. Since it's been a bit of a tough few months for both of us, it was nice to get our minds off things in a 9-5 Sa/Su art class. After a couple of classes, Brad and I headed to the local Irish tavern, Two Fools, where Jonathan met us one night to hear about everything we'd learned in class. It was a great way to start off an otherwise grueling year.

Monotypes are, as the name suggests, one-of-a-kind prints. In the most basic terms, the artist paints an image onto a smooth plate called a matrix, then runs it through a press on a piece of paper to create the print. Traditionally, artists sketch something original onto the plate without referring to another image (so, they paint from their heads--like improv Jazz). They can either run several plates in layers to create a final composite image, or paint an image all at once and run it. We learned all kinds of different techniques in the class: working with textures, subtractive painting, working with different additives to the inks, a technique called Chine Colle (Chinese collage), etc.

One technique we learned was to run the plate a second time on a different sheet of paper to get a "ghost" image, which I found to be the most fun. After running a ghost, I painted layers onto several plates and ran them over the paper with the ghost on it for different effects. You can see an example of this with the two different versions of this "conch":


While I've dabbled in oil and acrylic painting since 2001, I had never heard of monotypes. The medium thrills me because it satisfies my need to finish things quickly and completely (although I don't feel these prints are finished because we didn't have much time in class). It's pretty expensive to continue with monotypes since it requires access to a printing press (I'd have to join New Grounds as a member to use their printing facilities) and the inks and tools are costly. But to repeat that free feeling, to be in that kind of FLOW, it may be worth it!


Here are my favorites. The Asian-inspired print on the right was a class favorite and, during our final critique, even won the gallery owner's vote among the top 3 prints of the class (although she said it still needed some work or even a do-over to really pack a punch, and I agree whole-heartedly):




Hopefully, more prints to come!

2 comments:

Ames said...

Valerie-Mae! That's so great that you got your hands into some printmaking. When I was getting my art degree, I enjoyed monotypes more than other forms of printmaking like etching and such because it was much more free-flowing....like you said. You did a great job with those! Makes me want to take a refresher class now too - - I'm sure I've forgotten a LOT in 14 years. Or maybe...everything. ;-)

Redcoates said...

Wanna be a print swapper? Couple a photos for a monotype? Huh? Huh? Do ya?